2020

Celebrating the 100th anniversary of Federico Fellini’s (1920-1993) birth, Cine Fan mounts a full retrospective of […] Read more

Celebrating the 100th anniversary of Federico Fellini’s (1920-1993) birth, Cine Fan mounts a full retrospective of his cinematic works. In the fantastical world the Italian maestro invented, the anarchic juxtaposition of fantasy and reality finds its amazing resonance in 2020, a year of turmoil and absurdity that echoes his imaginings.

Transitioning from his roots in Italian Neorealism, Felliniinvented a distinctive style of arty symbolism and whimsical surrealism. Spinning off from La Strada (1954) and Nights of Cabiria (1957), which saw him rise to international stardom, he blended authenticity with outlandish flights of imagery, seeing beyond the grotesque of his characters into the abyss of loneliness. What he conceived is a vision of life that is “spiritually realistic”, genuinely tender and compassionate.

An autobiographical vein running through nearly all of his films – be it post-adolescent limbo in I Vitelloni (1953), glamorous indulgence in La Dolce Vita (1960), or artistic crisis in 8½ (1963) – he transfigured his childhood reminiscence in Rimini and personal adventure in Rome into whimsical artifice that reflect his own fascination. Inspired by a lifelong obsession with the circus, he constructed his beguiling universe of “carnivalesque” spectacle, dreamlike imagery and bizarre scenarios to explore themes of memory, desire and artistic expression.

A marvelous ship sailing in a plastic ocean, Venetians indulging in 18th Century’s decadence, and a pagan journey through Nero’s Rome – Fellini’s visionary creations transcend time and space, yet are never away from the safe haven of Cinecittà. In the dream factory he became an omnipresent sorcerer, creating cinema only a magnificent few can equal, while contemplating its decline alongside his own mortality.

Everything he was, everything he imagined – dreams and desires, fears and regrets – is put into his cinema. To know him is to watch his films, in silence – as the last words in The Voice of the Moon (1990): “If we all quieted down a little, maybe we’d understand something.”

Federico Fellini 100 is part of the Federico Fellini 100 Tour, a series of centennial tributes to Federico Fellini (1920–1993), which will travel to major museums and film institutions worldwide, coordinated by Paola Ruggiero and Camilla Cormanni from Luce Cinecittà. All films (unless noted) have been digitally restored by Luce Cinecittà, Cineteca di Bologna and Cine teca Nazionale.

Co-organizer                                               Proudly Supported by                                Festival Partner

Moving into the Millennium, Jean-Luc Godard remains at the cutting-edge of cinema. Conceiving our music in […] Read more

Moving into the Millennium, Jean-Luc Godard remains at the cutting-edge of cinema. Conceiving our music in the spirit of Dante, experimenting new technology as he bids goodbye to language, or reversing to the past in praise of love, Godard’s exploration of images, sounds and montage is simultaneously amazing and confounding. In the second part of this film course, we’ll see how the master continues to challenge the very limits of filmmaking, while offering illuminating reflection on our world.