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Week End

  • Dir: Jean-Luc Godard

  • France/Italy, 1967, 104minmins, DCP

  • Cast: Jean Yanne, Mireille Darc, Jean-Pierre Léaud

Considered by many to be the last great film of Godard’s early period, Week End is a spirited call for revolution, shot in glorious technicolor by the recently deceased Raoul Coutard, that arrived on screens just months before France exploded in political upheaval. The film follows a bourgeois couple, both involved in affairs as well as plots to murder each other, heading out on the road to secure an inheritance. Bursting with visual inventiveness and infused with a jet black sense of humor, Week End presents the world as an orgy of disorder, destruction and death fueled by infidelity, murder and even cannibalism. Less driven by narrative, Godard instead presents his ideas as a series of imaginatively staged vignettes, the most celebrated of which tracks through a neverending traffic jam plucked from the depths of Hell.

1968 Berlin International Film Festival, In Competition

15/01/2017(Sun): Post-screening talk with Long Tin

    Screening:

    In-theatre Screening

    • 2017-01-15 (Sun)
      19:30
      2017-02-18 (Sat)
      21:45

    Remarks

    1. Screenings at Broadway Cinematheque are available at Broadway Cinematheque and website of Broadway Circuit only. For related ticketing information, please refer to www.cinema.com.hk.

    2. Screenings at Emperor Cinemas iSQUARE, Emperor Cinemas Times Square and PREMIERE Elements : tickets are available at URBTIX till 5pm one day before respective screening, after which tickets will be available only at the box office of the respective venue on the day of screening, subject to availability.

    3. Screenings at HK Arts Centre and M+ Cinema : tickets are available at URBTIX outlets until one hour before the screening, after which tickets are available at URBTIX website and mobile app. On-the-day tickets will also be available at the Self-service Ticketing Kiosk of the respective venue, subject to availability.

    4. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.

    5. While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS appreciates its patrons’ understanding on occasions when less than perfect screening copies are screened.