Eng
中文

Up, Down, Fragile

  • Dir: Jacques Rivette

  • France, 1995, 169 minsmins, 35mm

  • Cast: Marianne Denicourt, Nathalie Richard, Laurence Côte, Anna Karina

Rivette’s charming tribute to MGM’s lowbudget musicals of the 1950s infuses itself in an essence of the musical genre, all while flouting its expectations. Set in Paris – the “nexus of magical encounters” (Jonathan Rosenbaum) – Up, Down, Fragile centers on three women: Ninon, a working-class girl taking up a job as a moped-riding messenger; Louise, an upper-class woman finding her bearings after a five-year coma; and Ida, a librarian who seeks her birth mother via a halfremembered tune. Via impromptu intersections and seemingly random tangents, the characters interact, dance and sing – blurring the lines between reality and fantasy, and between actual sets and real locations. As in other Rivette films, the actresses created their own characters, and here, also wrote some of the songs.

12/11/2017 (Sun): Post-screening talk with William Lau

 

    Screening:

    In-theatre Screening

    Remarks

    1. Screenings at Broadway Cinematheque are available at Broadway Cinematheque and website of Broadway Circuit only. For related ticketing information, please refer to www.cinema.com.hk.

    2. Screenings at Emperor Cinemas iSQUARE, Emperor Cinemas Times Square and PREMIERE Elements : tickets are available at URBTIX till 5pm one day before respective screening, after which tickets will be available only at the box office of the respective venue on the day of screening, subject to availability.

    3. Screenings at HK Arts Centre and M+ Cinema : tickets are available at URBTIX outlets until one hour before the screening, after which tickets are available at URBTIX website and mobile app. On-the-day tickets will also be available at the Self-service Ticketing Kiosk of the respective venue, subject to availability.

    4. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.

    5. While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS appreciates its patrons’ understanding on occasions when less than perfect screening copies are screened.