The Nun
Dir: Jacques Rivette
France, 1966, 140minmins
Cast: Anna Karina, Liselotte Pulver, Micheline Presle
Denis Diderot’s scandalous novel of the Enlightenment that blasted the power and hypocrisy of the French Catholic Church found powerful new life – and scandal – in this adaptation by Jacques Rivette with Anna Karina, Godard’s wife, in the central role. A young woman forced into the convent by the failures of her mother finds her vows open a world of doubt, torture, sexual advances and ultimately death. Faith, suffering, belief and damnation become incarnate in a work banned in France until it premiered at Cannes, and finally recognized for its masterful power by Charles de Gaulle himself. Lest we forget the deeply French roots and profound philosophical explorations so often forgotten as we remember France in the 1960s.
1966 Cannes Film Festival
18/06/2016(Sat): Post-screening talk with Sonia Au
Package Discount: 30% discount to each purchase of standard tickets of both Paris Belongs to Us and The Nun
Screening:
In-theatre Screening
2016-06-18 (Sat)
14:302016-11-06 (Sun)
19:00
- Hong Kong Film Archive
- HK Science Museum Lecture Hall
- Chinese Subtitles
- Post-screening talk
Remarks
1. Screenings at Broadway Cinematheque are available at Broadway Cinematheque and website of Broadway Circuit only. For related ticketing information, please refer to www.cinema.com.hk.
2. Screenings at Emperor Cinemas iSQUARE, Emperor Cinemas Times Square and PREMIERE Elements : tickets are available at URBTIX till 5pm one day before respective screening, after which tickets will be available only at the box office of the respective venue on the day of screening, subject to availability.
3. Screenings at HK Arts Centre and M+ Cinema : tickets are available at URBTIX outlets until one hour before the screening, after which tickets are available at URBTIX website and mobile app. On-the-day tickets will also be available at the Self-service Ticketing Kiosk of the respective venue, subject to availability.
4. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.
5. While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS appreciates its patrons’ understanding on occasions when less than perfect screening copies are screened.