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Mr Thank You

  • Dir: Shimizu Hiroshi

  • Japan, 1936, 75minmins, 35mm

  • Cast: Uehara Ken, Kuwano Michiko

Arigato! The chivalrous driver’s heart-warming thank-yous offer solace for people trying to manage through hardship and misery in depression-era Japan. Through the long and winding road of scenic mountain and seashore from rural Izu to Tokyo, Shimizu fills the rickety bus with humor, music and fluid point-of-view traveling shots of an expansive human drama in vignettes based around the interactions between drifting passengers. At once cheerful, romantic and grave, with a subtle yet stark sociopolitical undercurrent that gives the film a real poignancy.

Seminar on Kawabata Yasunari Film Adaptations
Date: 6.4.2019 (SAT)
Time: 3:45pm (After the screening of Mr Thank You)
Venue: Hong Kong Arts Centre Louis Koo Cinema
Speaker: Thomas Shin, Kiki Fung
Conducted in Cantonese. Free admission

    Screening:

    In-theatre Screening

    Remarks

    1. Screenings at Broadway Cinematheque are available at Broadway Cinematheque and website of Broadway Circuit only. For related ticketing information, please refer to www.cinema.com.hk.

    2. Screenings at Emperor Cinemas iSQUARE, Emperor Cinemas Times Square and PREMIERE Elements : tickets are available at URBTIX till 5pm one day before respective screening, after which tickets will be available only at the box office of the respective venue on the day of screening, subject to availability.

    3. Screenings at HK Arts Centre and M+ Cinema : tickets are available at URBTIX outlets until one hour before the screening, after which tickets are available at URBTIX website and mobile app. On-the-day tickets will also be available at the Self-service Ticketing Kiosk of the respective venue, subject to availability.

    4. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.

    5. While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS appreciates its patrons’ understanding on occasions when less than perfect screening copies are screened.