Dir: Woody Allen
USA, 1983, 79 mins, 35mm
Cast: Woody Allen, Mia Farrow, Patrick Horgan
Woody Allen plays Leonard Zelig in a mock-documentary about an eccentric (and fictitious) American character from the 1920s. Zelig is a misfit with a severe psychological and physiological disorder: in order to be liked and fit into a social group, Zelig is able to assume the physical appearance (and language abilities) of anyone he stands next to. Using ingenious technology, Allen inserts himself into actual black-and-white newsreel footage from the period to chronicle the rise and fall of this “human chameleon” – a man who becomes an instant celebrity, rubs elbows with prominent figures of the era, and falls in love with his psychiatrist (Mia Farrow). This compact comedy – punctuated with Allen’s usual one-liners – is brief in length but long on ideas, pulling in observations on politics, philosophy, art, and – of course – relationships.
#58 in BBC’s 100 Greatest Comedies of All Time -2017
4/11/2017 (Sat): Post-screening talk with Geoffrey Wong
- Hong Kong Arts Centre Louis Koo Cinema (Venue)
- HK Science Museum Lecture Hall (Venue)
- Hong Kong Film Archive (Venue)
- The Grand Cinema (Venue)
- The Metroplex (Venue)
- Festival Grand Cinema (Venue)
- the sky (Venue)
- Broadway Hollywood (Venue)
- UA Cine Moko (Venue)
- MCL Telford Cinema (Venue)
- Grand Windsor Cinema (Venue)
- Tai Kwun (Venue)
- Chinese Subtitles
- Category III
- Post-screening discussion with the director
- Director and/or actor(s) will meet the audience
- Post-screening talk
- Full House
1. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.
2. Screenings at HK Science Museum: There is no URBTIX Outlet at the venue. Tickets are available at URBTIX till one hour prior to respective screenings. Door ticket counter opens 30 minutes before the screening. Limited tickets to non-sold out screenings will be available at the door, subject to availability (Cash Only).
3. While it is the HKIFF’s policy to secure the best possible print of the original version for all its screenings, HKIFF will appreciate its patrons’ understanding on occasions when less than perfect screening copies are screened.