Dir: Jacques Rivette
France/Italy, 2001, 150 mins, 35mm
Cast: Jeanne Balibar, Sergio Castellitto, Marianne Basler, Hélène de Fougerolles
At age 73, Rivette reconfirmed his masterful cinema in one of his most radiantly amusing tales about the reality of theatre, and the theatricality of real life. Jeanne Balibar plays Camille, a lead actress in a famous Pirandello play. Having just returned to Paris, she’s compelled to reconnect with her ex-boyfriend Pierre, who’s now living with his new partner, Sonia. Meanwhile, Camille’s director, co-star, and manager/lover Ugo searches for a lost play and ends up falling for a young student, Dominique – whose brother, Arthur, is interested in Sonia and a valuable diamond ring. Rivette skillfully balances between comedy and drama in this circular dance of six characters and three couples, played by an all-star cast.
2001 Cannes Film Festival, In Competition
10/12/2017 (Sun): Post-screening talk with Li Cheuk-to
- Hong Kong Arts Centre Louis Koo Cinema (Venue)
- HK Science Museum Lecture Hall (Venue)
- Hong Kong Film Archive (Venue)
- The Grand Cinema (Venue)
- The Metroplex (Venue)
- Festival Grand Cinema (Venue)
- the sky (Venue)
- Broadway Hollywood (Venue)
- UA Cine Moko (Venue)
- MCL Telford Cinema (Venue)
- Grand Windsor Cinema (Venue)
- Tai Kwun (Venue)
- Chinese Subtitles
- Category III
- Post-screening discussion with the director
- Director and/or actor(s) will meet the audience
- Post-screening talk
- Full House
1. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.
2. Screenings at HK Science Museum: There is no URBTIX Outlet at the venue. Tickets are available at URBTIX till one hour prior to respective screenings. Door ticket counter opens 30 minutes before the screening. Limited tickets to non-sold out screenings will be available at the door, subject to availability (Cash Only).
3. While it is the HKIFF’s policy to secure the best possible print of the original version for all its screenings, HKIFF will appreciate its patrons’ understanding on occasions when less than perfect screening copies are screened.