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The Passenger

  • Dir: Michelangelo Antonioni

  • Italy/France/Spain, 1975, 126 minsmins, DCP

  • Cast: Jack Nicholson, Maria Schneider, Jenny Runacre

How much can a man change his life with a new passport? Journalist David Locke (Jack Nicholson) easily slips into the identity of a dead man in Chad but soon finds himself embroiled in the connections of his new life – a dealer in illicit arms and those of his old life – as his wife tries to unravel her husband’s purported death. And then, in Barcelona, he meets a young architecture student (Maria Schneider) and another chance to start over… if he can evade those who are still seeking him. Considered by the master himself as his most stylistically mature film, the seven-minute long-take finale remains one of the most breathtaking endings in the history of cinema.

Further Readings:
The Passenger, From Defining Modernity: Michelangelo Antonioni (Hong Kong International Film Festival Society, 2009)

Screening:

In-theatre Screening

  • Buy Tickets2018-01-20 (Sat)
    17:00
    Full House2018-02-02 (Fri)
    19:30

Remarks

1. Screenings at Broadway Cinematheque are available at Broadway Cinematheque and website of Broadway Circuit only. For related ticketing information, please refer to www.cinema.com.hk.

2. Screenings at Emperor Cinemas iSQUARE, Emperor Cinemas Times Square and PREMIERE Elements : tickets are available at URBTIX till 5pm one day before respective screening, after which tickets will be available only at the box office of the respective venue on the day of screening, subject to availability.

3. Screenings at HK Arts Centre and M+ Cinema : tickets are available at URBTIX outlets until one hour before the screening, after which tickets are available at URBTIX website and mobile app. On-the-day tickets will also be available at the Self-service Ticketing Kiosk of the respective venue, subject to availability.

4. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.

5. While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS appreciates its patrons’ understanding on occasions when less than perfect screening copies are screened.