The Longest Summer
Dir: Fruit Chan
1998, 1998, 128 minsmins, 35mm
Cast: Tony Ho, Sam Lee, Jo Kuk
Fruit Chan’s boldly realized and idiosyncratically comical exposition on dislocation and moral dissolution in the second installment of his handover trilogy. A group of Hong Kong ex-soldiers of the British army, left penniless and jobless when the Brits disband the defense force, is compelled to join the gangster to rob a bank. Feeling threatened and betrayed by a world that has abruptly changed, these middle-aged men also get into trouble with the alienated teenagers who see no tomorrow. Shot to look like docu-drama and integrating vivid documentary footage of the handover, the film captures a street authenticity and a mood of uncertainty and anxiety of a whole generation about changing times.
19/11/2017 (Sun): Symposium on “The Future of the Past” after screening with Nicolas Wackerbarth, Jane Yu, Ross Chen. Conducted in English.
Hong Kong Arts Centre Louis Koo Cinema (Venue)
Chinese Subtitles
Post-screening talk
Remarks
1. Screenings at Broadway Cinematheque are available at Broadway Cinematheque and website of Broadway Circuit only. For related ticketing information, please refer to www.cinema.com.hk.
2. Screenings at Emperor Cinemas iSQUARE, Emperor Cinemas Times Square and PREMIERE Elements : tickets are available at URBTIX till 5pm one day before respective screening, after which tickets will be available only at the box office of the respective venue on the day of screening, subject to availability.
3. Screenings at HK Arts Centre and M+ Cinema : tickets are available at URBTIX outlets until one hour before the screening, after which tickets are available at URBTIX website and mobile app. On-the-day tickets will also be available at the Self-service Ticketing Kiosk of the respective venue, subject to availability.
4. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.
5. While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS appreciates its patrons’ understanding on occasions when less than perfect screening copies are screened.
