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The Image Book

  • Dir: Jean-Luc Godard

  • France, 2018, 84 minmins, DCP

As Godard approaches 90, he offers us another meditative reflection on the technologies and implications of cinema, in counterpoint to the atrocities of the Holocaust, the Israeli-Palestinian conflict and struggles across the Middle East. In five chapters, which Godard likens to the five fingers of the hand, he recycles images, sounds, and ideas from previous works, but also explores new territory. Recalling his collage masterpiece Historie(s) of Cinema, The Image Book shows him pushing the manipulation of image and sound to a new level.

Cannes Film Festival: Special Palme d’Or
Cahiers du Cinéma: Best Film

18/12 (FRI): Lecture with Long Tin, Film Critic. Approximately 1 hour, conducted in Cantonese. Audience who attends the course is eligible for a complimentary copy of Godard, Film, History (Chinese version only)

Package Discount : 25% discount to each purchase of 2 or above standard tickets to the film course. 30% discount to each purchase of standard tickets to ALL six film course sessions.

    Screening:

    In-theatre Screening

    Remarks

    1. Screenings at Broadway Cinematheque are available at Broadway Cinematheque and website of Broadway Circuit only. For related ticketing information, please refer to www.cinema.com.hk.

    2. Screenings at Emperor Cinemas iSQUARE, Emperor Cinemas Times Square and PREMIERE Elements : tickets are available at URBTIX till 5pm one day before respective screening, after which tickets will be available only at the box office of the respective venue on the day of screening, subject to availability.

    3. Screenings at HK Arts Centre and M+ Cinema : tickets are available at URBTIX outlets until one hour before the screening, after which tickets are available at URBTIX website and mobile app. On-the-day tickets will also be available at the Self-service Ticketing Kiosk of the respective venue, subject to availability.

    4. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.

    5. While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS appreciates its patrons’ understanding on occasions when less than perfect screening copies are screened.