Searching for Ingmar Bergman
Dir: Margarethe von Trotta
Germany/France, 2018, 99min, DCP
On the occasion of Bergman’s centenary, Margarethe von Trotta explores the film legacy of the genius director who inspired her to become a filmmaker. Drawing insights from Liv Ullmann, his sons, and a new generation of filmmakers including Olivier Assayas, Ruben Östlund and Carlos Saura, von Trotta gives an intimate portrait of the auteur. The documentary also features archival footage from Bergman’s body of work, the exploration of recurring themes in his films, journeys to the places of his inspiration, and his decadelong exile in Germany. An invaluable opportunity to see the many layers of Bergman’s work and life.
2018 Cannes Film Festival
Please collect tickets on-site 30 minutes prior to the screening, on a first-come, first-served basis. 1 ticket per person only.
‘Searching For Ingmar Bergman’: Cannes Review From Hunter, Allen (2018, May). ‘Searching For Ingmar Bergman’: Cannes Review. Screen Daily. Retrieved from https://www.screendaily.com/
Ingmar Bergman, Faith and Faithfulness
Free Admission 09/06/2018 (Sat)
- Hong Kong Arts Centre Cinema (Venue)
- HK Science Museum Lecture Hall (Venue)
- Hong Kong Film Archive (Venue)
- The Grand Cinema (Venue)
- The Metroplex (Venue)
- Festival Grand Cinema (Venue)
- the sky (Venue)
- Broadway Hollywood (Venue)
- UA Cine Moko (Venue)
- MCL Telford Cinema (Venue)
- Grand Windsor Cinema (Venue)
- Tai Kwun (Venue)
- Chinese Subtitles
- Category III
- Post-screening discussion with the director
- Director and/or actor(s) will meet the audience
- Post-screening talk
- Full House
1. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.
2. Screenings at HK Science Museum: There is no URBTIX Outlet at the venue. Tickets are available at URBTIX till one hour prior to respective screenings. Door ticket counter opens 30 minutes before the screening. Limited tickets to non-sold out screenings will be available at the door, subject to availability (Cash Only).
3. While it is the HKIFF’s policy to secure the best possible print of the original version for all its screenings, HKIFF will appreciate its patrons’ understanding on occasions when less than perfect screening copies are screened.