Pom Poko (Heisei tanuki gassen ponpoko)
Dir: Isao Takahata
Japan, 1994, 119min, DCP
With an innate power to change shape, an enclave of tanuki threatened by encroaching urban development commences a campaign of trickery at construction sites, striving to frighten off human beings. In an enchanting fantasy sequence that is at once scary and funny, the tanuki stages the largest march of resistance, only to end up in a merciless defeat. Vacillating between poetic realism and comic cartoonishness, Takahata transforms the enchantment of Japanese folklore into a parable reflecting ecological concerns and condemnation of progress at the expense of nature.
© 1994 Hatake Jimusho – GNH
1995 Annecy International Animated Film Festival, Best Animated Feature Film
1.7.2018 (SUN): Post-screening seminar with Tsukioka Sadao (long-time creative partner of Isao Takahata at Toei Animation), Neco Lo and Alvin Tse
Free Admission. Conducted in Cantonese & Japanese
- Hong Kong Arts Centre Louis Koo Cinema (Venue)
- HK Science Museum Lecture Hall (Venue)
- Hong Kong Film Archive (Venue)
- The Grand Cinema (Venue)
- The Metroplex (Venue)
- Festival Grand Cinema (Venue)
- the sky (Venue)
- Broadway Hollywood (Venue)
- UA Cine Moko (Venue)
- MCL Telford Cinema (Venue)
- Grand Windsor Cinema (Venue)
- Tai Kwun (Venue)
- Chinese Subtitles
- Category III
- Post-screening discussion with the director
- Director and/or actor(s) will meet the audience
- Post-screening talk
- Full House
1. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.
2. Screenings at HK Science Museum: There is no URBTIX Outlet at the venue. Tickets are available at URBTIX till one hour prior to respective screenings. Door ticket counter opens 30 minutes before the screening. Limited tickets to non-sold out screenings will be available at the door, subject to availability (Cash Only).
3. While it is the HKIFF’s policy to secure the best possible print of the original version for all its screenings, HKIFF will appreciate its patrons’ understanding on occasions when less than perfect screening copies are screened.