Dir: Alan Parker
UK/USA, 1978, 121min, DCP
Cast: Brad Davis, Irene Miracle, John Hurt
HELL in a Turkish prison. Starting from the experiences of American college student Billy Hayes (played by Brad Davis), who was arrested in 1970 for trying to smuggle hashish out of Turkey, screenwriter Oliver Stone and director Alan Parker created an even darker surreal symphony of abuse, betrayal, beatings, failed escape attempts and confinement in a mental ward. While the film has ignited strong controversy for its caricaturish orientalization of “sinister Turks,” it cannot be denied of its extreme powerful denouncement of corrupt incarceration in its dystopian vision, electrified by ultra-stylish gratuitous violence and the striking musical score of Giorgio Moroder.
1979 Academy Awards, Best Adapted Screenplay
1979 6 Golden Globe Awards, including Best Motion Picture (Drama)
7.9.2018(Fri): Post-screening talk with Bobby Kwok
Back to the Screen
Tickets available at screening venue on screening date 07/09/2018 (Fri)
Full House 27/10/2018 (Sat)
- Hong Kong Arts Centre Louis Koo Cinema (Venue)
- HK Science Museum Lecture Hall (Venue)
- Hong Kong Film Archive (Venue)
- The Grand Cinema (Venue)
- The Metroplex (Venue)
- Festival Grand Cinema (Venue)
- the sky (Venue)
- Broadway Hollywood (Venue)
- UA Cine Moko (Venue)
- MCL Telford Cinema (Venue)
- Grand Windsor Cinema (Venue)
- Tai Kwun (Venue)
- Chinese Subtitles
- Category III
- Post-screening discussion with the director
- Director and/or actor(s) will meet the audience
- Post-screening talk
- Full House
1. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.
2. Screenings at HK Science Museum: There is no URBTIX Outlet at the venue. Tickets are available at URBTIX till one hour prior to respective screenings. Door ticket counter opens 30 minutes before the screening. Limited tickets to non-sold out screenings will be available at the door, subject to availability (Cash Only).
3. While it is the HKIFF’s policy to secure the best possible print of the original version for all its screenings, HKIFF will appreciate its patrons’ understanding on occasions when less than perfect screening copies are screened.