La Belle Noiseuse: Divertimento
Dir: Jacques Rivette
France, 1995, French, 130min, DCP
Cast: Michel Piccoli, Emmanuelle Béart, Jane Birkin
Loosely inspired by a Balzac short story, La Belle Noiseuse: Divertimento is the shorter, two-hour version of the Cannes-winning masterpiece, made from different takes specifically intended for an alternate cinematic rhythm and structure. Michel Piccoli stars as Frenhofer, a reclusive master painter who lives in a country manor with his wife and former model Liz (Jane Birkin). Inspired by his meeting with a young artist’s girlfriend, Marianne (Emmanuelle Béart), Frenhofer restarts his long-abandoned masterpiece, one which had begun as a portrait of his wife. As Frenhofer and Marianne meet in the studio, the shaping of an image also reforms both artist and muse, uncovering traces while painting over them in increasingly capricious ways. Rivette’s discerning portrayal of the creative process merits a worthwhile revisit in this playful doppelgänger.
22.5.2018 (Tue): Post-screening talk with Kiki Fung
The Labyrinth of Mystery – Jacques Rivette
- Hong Kong Arts Centre Cinema (Venue)
- HK Science Museum Lecture Hall (Venue)
- Hong Kong Film Archive (Venue)
- The Grand Cinema (Venue)
- The Metroplex (Venue)
- Festival Grand Cinema (Venue)
- the sky (Venue)
- Broadway Hollywood (Venue)
- UA Cine Moko (Venue)
- MCL Telford Cinema (Venue)
- Grand Windsor Cinema (Venue)
- Chinese Subtitles
- Category III
- Post-screening discussion with the director
- Director and/or actor(s) will meet the audience
- Post-screening talk
- Full House
1. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.
2. Screenings at HK Science Museum: There is no URBTIX Outlet at the venue. Tickets are available at URBTIX till one hour prior to respective screenings. Door ticket counter opens 30 minutes before the screening. Limited tickets to non-sold out screenings will be available at the door, subject to availability (Cash Only).
3. While it is the HKIFF’s policy to secure the best possible print of the original version for all its screenings, HKIFF will appreciate its patrons’ understanding on occasions when less than perfect screening copies are screened.