I, Daniel Blake
Dir: Ken Loach
UK, 2016, 100 mins, DCP
Cast: Dave Johns, Hayley Squires, Sharon Percy
Ken Loach’s second Palme d’Or packs another hefty punch at the Tory austerity policies with his trademark style of stripped-down social realism, echoing his 1966 masterpiece Cathy Come Home after half a century. Daniel Blake, 59, having suffered from a heart attack at work, has been instructed by doctors to rest. Yet since he is “able to walk 50 meters”, he is deemed ineligible for employment and support allowance. While agonizingly battling with the welfare system, he offers his help to a mother of two who is similarly given the runaround. His angriest film yet, Loach gives his fiercest denunciation of injustices and polemical indictment of a faceless benefits bureaucracy. Yet, it is also a celebration of the decency and compassion of ordinary people who keep humanity alive.
2016 Cannes Film Festival, Palme d’Or
01/10/2017(Sun): Post-screening talk with Bobby Kwok
- Hong Kong Arts Centre Cinema (Venue)
- HK Science Museum Lecture Hall (Venue)
- Hong Kong Film Archive (Venue)
- The Grand Cinema (Venue)
- The Metroplex (Venue)
- Festival Grand Cinema (Venue)
- the sky (Venue)
- Broadway Hollywood (Venue)
- UA Cine Moko (Venue)
- MCL Telford Cinema (Venue)
- Grand Windsor Cinema (Venue)
- Tai Kwun (Venue)
- Chinese Subtitles
- Category III
- Post-screening discussion with the director
- Director and/or actor(s) will meet the audience
- Post-screening talk
- Full House
1. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.
2. Screenings at HK Science Museum: There is no URBTIX Outlet at the venue. Tickets are available at URBTIX till one hour prior to respective screenings. Door ticket counter opens 30 minutes before the screening. Limited tickets to non-sold out screenings will be available at the door, subject to availability (Cash Only).
3. While it is the HKIFF’s policy to secure the best possible print of the original version for all its screenings, HKIFF will appreciate its patrons’ understanding on occasions when less than perfect screening copies are screened.