Switzerland, 1967-1992, 99 mins, DCP
A collection of seven of his short films and documentaries about him, this programme gives a rare insight into Giger’s art and design filled with surrealistic biomechanical dreamscapes, which form the cornerstone of his fame. Three early works co-directed with his close friend and acclaimed director Fredi Murer include High (1967, 10min), a moody slideshow of his elegantly morbid pen and ink work; HeimKiller (1968, 1min), featuring a jarring confrontation with his bleeding sculpture; and the documentary A New Face of Debbie Harry (1981, 30min). Explore his provocative nightmarish world through his collaboration with American singer Debbie Harry in her MV Backfired (1981, 4min), and The Second Celebration of the Four (1977, 4min) co-directed with J.J. Wittmer. Sex, Drugs and Giger (1992, 5min) directed by Sandra Beretta offers another perspective into his psychosexual art. A highlight is the dystopian science fiction film SwissMade 2069 (1969, 45min) directed by Murer, in which you may find the origin of Alien from his Necronom IV paintings.
Curated by Laura Walde and John Canciani, Internationale Kurzfilmtage Winterthur.
28/10/2017(Sat): Introduction by Andreas Bühlmann and Belinda Sallin
“The Biomechanical Dreamscapes of HR Giger” is co-presented by
- Hong Kong Arts Centre Louis Koo Cinema (Venue)
- HK Science Museum Lecture Hall (Venue)
- Hong Kong Film Archive (Venue)
- K11 Art House (Venue)
- The Metroplex (Venue)
- Festival Grand Cinema (Venue)
- the sky (Venue)
- MCL Telford Cinema (Venue)
- Tai Kwun (Venue)
- MOViE MOViE (Venue)
- Chinese Subtitles
- Category III
- Post-screening discussion with the director
- Director and/or actor(s) will meet the audience
- Post-screening talk
- Full House
1. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.
2. For screenings at ALL commercial cinemas, tickets are available at URBTIX till 5:00pm one day before respective screenings. After that, tickets will be available only at the box office of the screening venue on the day of screening, subject to availability.
3. Screenings at HK Arts Centre, HK Film Archive and Tai Kwun: For screenings that are about to start in 1 hour, all remaining tickets can only be bought at the box offices of the respective screening venues.
4. For the sold-out screenings at HK Arts Centre and HK Film Archive, a limited number of standing tickets are available at the URBTIX Outlets of the respective venues 30 minutes prior to the screening time. Seating is not guaranteed and subject to availability 30 minutes after the screening time. Each person can purchase 1 standing ticket. The availability of standing tickets is subject to change without prior notice.
5. Screenings at HK Science Museum: There is no URBTIX Outlet at the venue. Tickets are available at URBTIX till 1 hour prior to the respective screenings. Door ticket counter opens 30 minutes before the screening. Limited tickets to non-sold out screenings will be available at the door, subject to availability (Cash Only).
6. While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS will appreciate its patrons’ understanding on occasions when less than perfect screening copies are screened.