Fanny and Alexander (I) (Fanny och Alexander)
Dir: Ingmar Bergman
Sweden, 1982, 174min, DCP
Cast: Bertil Guve, Pernilla Allwin, Kristina Adolphson
Intended to be his last film until Saraband (2003), this four- Oscar winner is Bergman’s warmest and most sanguine semiautobiography. Mysticism unfolds as the legendary director clandestinely slips into the life of Alexander, the child of a bourgeois family in the 20th century who experiences ethereal joy in his father’s theatre and gothic horror in his mother’s remarriage with an oppressive bishop. Questions of religion, death and repentance are interwoven into the children’s freeform life of stories. Gliding between bitter reality, hypnotic ghosts and fascination of dreams, this supernatural tale combines melancholy and emotional intensity with euphoria and sensuality. Bergman’s vision is expressed at its fullest in this original five-hour television version.
1984 Academy Awards, Best Foreign Language Film, Best Cinematography, Best Art Direction and Best Costume Design
1984 Golden Globe Awards, Best Foreign Film
- Hong Kong Arts Centre Louis Koo Cinema (Venue)
- HK Science Museum Lecture Hall (Venue)
- Hong Kong Film Archive (Venue)
- The Grand Cinema (Venue)
- The Metroplex (Venue)
- Festival Grand Cinema (Venue)
- the sky (Venue)
- Broadway Hollywood (Venue)
- UA Cine Moko (Venue)
- MCL Telford Cinema (Venue)
- Grand Windsor Cinema (Venue)
- Tai Kwun (Venue)
- Chinese Subtitles
- Category III
- Post-screening discussion with the director
- Director and/or actor(s) will meet the audience
- Post-screening talk
- Full House
1. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.
2. Screenings at HK Science Museum: There is no URBTIX Outlet at the venue. Tickets are available at URBTIX till one hour prior to respective screenings. Door ticket counter opens 30 minutes before the screening. Limited tickets to non-sold out screenings will be available at the door, subject to availability (Cash Only).
3. While it is the HKIFF’s policy to secure the best possible print of the original version for all its screenings, HKIFF will appreciate its patrons’ understanding on occasions when less than perfect screening copies are screened.