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Amarcord

  • Dir: Federico Fellini

  • Italy, 1973, 126 minmins, DCP

  • Cast: Pupella Maggio, Armando Brancia, Magali Noël, Ciccio Ingrassia

Lust, sin, and the loss of innocence, all passionately reflected in Fellini’s most personal film. Fueled entirely by nostalgia, this carnivalesque portrait of Rimini during Mussolini’s dictatorship showcases the director’s signature themes of social rituals, sexual fantasies, and political subtexts. From the spring tradition of the burning of the witch, to frenzied fascist worshipping, indelible images fill the colorful dream world of the maestro’s childhood with satire and stylistic playfulness. Going beyond its Oscar accolades, this masterpiece leaves an enduring legacy that transformed cinema forever.

Academy Awards: Best Foreign Language Film

14/11 (Sat): Film talk with Keeto Lam

Federico Fellini 100 is part of the Federico Fellini 100 Tour, a series of centennial tributes to Federico Fellini (1920–1993), which will travel to major museums and film institutions worldwide, coordinated by Paola Ruggiero and Camilla Cormanni from Luce Cinecittà. All films (unless noted) have been digitally restored by Luce Cinecittà, Cineteca di Bologna and Cine teca Nazionale.

Screening:

In-theatre Screening

  • K11 Art House
  • Chinese Subtitles
  • Category III
  • Post-screening talk
  • Full House

Remarks

1. Screenings at ALL commercial cinemas : tickets are available at URBTIX till 5pm one day before respective screening, after which tickets will be available only at the box office of the respective venue on the day of screening, subject to availability.

2. Screenings at HK Arts Centre and M+ Cinema : tickets are available at URBTIX outlets until one hour before the screening, after which tickets are available at URBTIX website and mobile app. On-the-day tickets will also be available at the Self-service Ticketing Kiosk of the respective venue, subject to availability.

3. Unless otherwise stated, all films (except English-speaking films) are subtitled in English.

4. While it is the HKIFFS’s policy to secure the best possible print of the original version for all its screenings, the HKIFFS appreciates its patrons’ understanding on occasions when less than perfect screening copies are screened.